A writing instructor once suggested a writer could strengthen and acquire interesting dialogue by eavesdropping on conversations in public places, to just tune in and listen with a critical ear when such an opportunity arises, how hearing others’ phrases and content could lend creativity to the writing process. Beneficial advice perhaps, but what happens when a writer becomes the one on the opposite end of this scenario?

This is a similar conversation I had with a good friend of mine who serves as my logic meter and sounding board when I plot my books. This is how I began the discussion on my first draft for Castle of Cards in a Barnes and Noble cafe…